Academic Paper: Critical Engagement in Informal Settlements: Lessons from the South African experience

Author(s):     Jhono Bennett & Dr. Amira Osman

BRISBANE 2013

 

 

Abstract:
This paper aims to present an approach to design thinking and teaching that takes the students and lecturers of design disciplines outside of the studio and university campus into contexts of deep complexity – informal settlements.
Conventional methods of architectural practice are deemed to be of limited use or value in informal contexts. These informally- and incrementally- developed contexts appear chaotic and of little architectural value at first glance but, when examined closer, intricate systems of decision-making and negotiation are revealed. The quality of spatial articulation that emerges could not have been achieved through formal planning and design processes. The informal process results in a distinctive spatial quality as well as complex and varied forms of ownership and habitation models.
The resultant fluidity and dynamism of these contexts offers critical lessons in design and the interaction between the different decision-makers/agents intervening at various levels of the built environment at any given time. As students and lectures engage with these contexts, employing tools such as structured mapping exercises, a better understanding can be achieved, as well as more appropriate design-decision making strategies for future interventions. By understanding the existing energies, activities and quality of routes, nodes and thresholds within these contexts, architects are better equipped to propose context-sensitive and sustainable solutions.
The intention is to better prepare students to engage in non-conventional professional practice – while the lecturers, and the institution to which they belong, are able to make meaningful contributions to a broader debate regarding the role of the profession and the professional in contexts of informality.
Through this process, it is also possible to provide much-needed services to identified vulnerable communities. However, the significance of the approach goes beyond that and involves the up-skilling of residents, the gathering of crucial data about the context, acquiring critical first-hand experience of the selected settlements; it also offers lessons on action research and knowledge on sustainable and socially-relevant technical solutions. The latter is achieved by identifying possible catalyst interventions, enabling the testing of development concepts through active build projects.
Key words: Design teaching, informality, non-conventional architectural practice, action research, and design/build.

Winner of Future African Cities Competition

Winner of Future African Cities Competition
 


Winners Announced
 
On behalf of Daniel Van Der Merwe:
 
A jury of eminent architects:  Sarah Calburn, Hugh Fraser, Clara Cruz Almeida and Elena Rocchi ( Spain) evaluated the work and commented on the diversity and high standard of the projects.
The following  finalists were awarded:
 

1.       Taswald Pillay & Daniel Lyonga, UJ: Urban Campus- which looked at re-interpreting learning through creating an urban campus utilising  recycling buildings & their context in the inner city of Johannesburg.

2.       Jhono Bennett, UP: Community Intervention- which looked holistically at a series of interventions in an existing informal settlement.

3.       Honourable mentions: Brent Clark, UFS for his vertical ‘plug-in’ housing project and Wynand Viljoen, UFS for his urban  cultural  walkway.

My Winning Entry

 

 

 

Unfortuneatly the prize winnings are going straight into the black hole known as my student loan, but the credit for this award goes far beyond just a simple design nod, this helps validate the work myself and my collegues have committed to with 1:1 – Agency of Engagement.

An exciting future for this type of Architecture awaits…

Waterborne

Waterborne

The film is essentially a passive service delivery protest, the tea behind its conceptiton did not want to play into the typical depiction of poverty and despair, but rather capture the cohesion and hope that many informal settlements and other vulnerable communities share.

*NOTE: Waterborne is currently a finalist in an undisclosable film competition, and cannot be embedded. 
 
To view please follow this link – WATERBORNE
Waterborne Synopsis

If you want to understand a community, ask them about their aspirations.

Slovo Park is situated in a politically and socially sensitive stretch of land south of Soweto. The community has been known by national government as Nancefield, by local council as Olifantsvlei and in the last five years as Slovo Park – named in honour of South Africa’s first minister of housing and former Umkhonto we Sizwe General, Joe Slovo. This forced changing of identity reflects an on-going struggle faced by the leadership of Slovo Park to gain recognition as a legitimate settlement to access governmental support. This battle has been fought through constant shifts in governmental policy, power and promises for the community of Slovo Park. Amidst the struggle, stories of sinister land dealings have emerged, outlining a possible truth that the ground beneath Slovo Park could have been sold from under the community’s feet. These allegations surface as the leadership of Slovo Park prepares itself to take action.

Waterborne captures the moment of hope, held in anticipation, before the first truly concrete step towards a dignified future.

*

In 2011, Alexander Melck of the Pretoria Picture Company, then an Information Design student at the University of Pretoria, began working with the founders of 1:1 on a student film competition. Although the first submission was not successful, the lessons gathered and the understanding required proved to be successful in 2012 when The Pretoria Picture Company and 1:1 partnered to work on Waterborne.

The submission to the CCI in Zero Film Competition was highly successful, and shooting began in July during Johannesburg’s freak snow storm, this gave the film a unique time stamp and brought home some of the most salient points of the production.

Crew list:
Director: Alexander Melck
Producers: Alexander Melck, Jhono Bennett, Ingmar Buchner
Cinematography: Alexander Melck & Ingmar Buchner
Grips: Jhono Bennett, Stefan Wagner, Michael Smith
Editor: Alexander Melck
Sound Design: MJ van der Westhuizen
Translations: Farai Machingambi
After effects assistant: Wouter Jacobs
Production interns: Christopher Ramm, Stefan Wagner
 
Sponsors & Organisers:
The Cement & Concrete Institute
Tin Rage
South African Institute for Architecture (SAIA) 

Academic Paper: Architectural Design in Response to Vulnerable Networks

Title:        
 
Architectural Design in Response to Vulnerable Networks
Publisher/Conference Sustainable Human(e) Settlments: The Urban Challenge – ISBN: 978-0-620-54069-8

 

Author(s): Ida Breed and Jhono Bennett

JOHANNESBURG, SOUTH AFRICA 2012

 
Abstract:

This article maintains the importance of a contextual and humanist understanding for the design of public space through the incorporation of concrete and changing realities in the analysis of the urban environment. In an attempt to reach a greater understanding of the construction of space through social networks, qualitative fieldwork methods are used to document the flows of social process and physical matter in the immediate context of the two chosen sites for intervention. The importance of these networks for the design of built form and space are determined for each scenario.

The research underpins the design relevance in architecture (and contemporary urban life) of social activity, movement, temporality versus permanence (in form), and mobility versus fixity (in location). It places in question the traditional role and definition of architecture and their present relevance in the developing world. The result is an alternative set of considerations that define the architectural brief assuring: integration with the public realm; inclusion of emergent functions; and awareness of the importance of temporality and flexibility (with regard spatial structure and appropriation). The first case study is an urban industrial area and the second a peripheral, informal urban area. Both examples are situated in the city of Pretoria within the greater Tshwane Metropolitan Area.

Key words: Architecture; Urban Space; Emergence; Qualitative; Networks; Developing.

 

1to1 – Agency Of Engagement: The beginning

1to1 refers to a scale of approach towards design; a scale of developing solutions through active building,  a scale of an engagement that reflects humanist values in its approach and output.
www.1to1.org.za

1to1 is borne from the current gap in the Architectural education & practice of South Africa. Currently there is little scope in schools to equip Architectural students with the skills and experience to effectively operate and be of value in the country’s largest sector of development. Equally so there is little precedent of practice’s successfully maintaining a presence or producing sustainable design solutions for this area.
Stemming from lesson learnt during post graduate work undertaken by the founders of 1to1 have assembled this entity in light of the current shifts in national policy around informal settlement upgrade and a growing collective conscious in regard to socio-technical design.
*

The Story

More than half of Gauteng’s urban population live in under serviced areas of poor spatial quality and require assistance from government and professionals towards development.

 
1to1 (one to one) is founded as a Student Based Organisation, finding its origins within its relationship between the students from the University of Pretoria and residents of Slovo Park, Nancefield. 
 

What emerged from the project was a particular process of research, design and implementation that resulted in not only a tangible product in the form of a public meeting hall, but an intangible collection of energy that armed all involved with a critical knowledge and perspective of South Africa’s unique urban condition.

The project yielded the identification of a niche role for Architects in the development process, as interpretors and facilitators of develop from a grounded socio-technical stance. The process of critical engagement involved in this role unleashed a constructive energy that drove the 2010 project.
This energy formed the foundation of  1to1  – initially just a student based organisation, and now a collaborative spatial agency providing a platform of engagement for those looking to develop and connect with this area of design, research and implementation.

 

The idea is that  1to1  is not a charity, but a collaborative group of like minded individuals working through mutually beneficial relationships to ultimately add to the growing knowledge base of implementation in the developing areas of South Africa.

The ideology developed from this process states that: Through a set of criteria outlining a holistic and clear process of engagement, design and implementation – mutually beneficial relationship will be established that will allow developmental outcomes that reflect a truly South African manner of development.

 

The processes developed within  1to1  hinge on the critical engagement with the grass roots communities and community based organisations.

This initial process sparked off the first student collective group, set up at the University of Pretoria.

 

 

But only in 2012 during the Co-founders experience in various academic, proffesional and civic societal projects did the identified need for such a group in the professional and civil realm arise.

 

 

 

1to1 – Agency of Engagement: a registered Section 21 NPO

VISION

By creating a clear platform for discussion and understanding through engagement, 1to1 aims to capacitate organized developing communities in order to clearly communicate their needs and aspirations to allow for spatial academics and professional to make better informed and more appropriate development decisions while engaging.
Ultimately, 1to1 aims to see organised stable communities upgrading themselves through 1to1 relationships with spatial and governmental professionals as service providers and not project drivers.

HOW: (Long term)

Through development of research methodologies and approaches of engagement 1to1 aims to inform better design solutions and through an evaluative process enhance implementation strategies.

HOW: (Medium term/Short term)

By applying grounded research data, more appropriate and informed developmental design solutions will be developed.
WHY
Currently spatial academics and professionals have only the traditionally established tools to respond to the design problems in informal and developing urban areas.
These methods and products often do not fully take into account the nature of social capital, a resource that spatial academics and professional have been neglecting not only in their research, but also in their products.

 

The underpinning aspect of 1to1 is that all research, design and implementation is documented and fed back into the current pool of knowledge and shared among stakeholders.

 

 

Slovo 2.0 – 1to1 Pilot Project

 

1to1 supports students within academic institutions by existing parallel to current teaching procedures in order to assist and support the current body of developing students. 1to1 provides assistance in the form of direct consultation, information sharing and access to the 1to1 Design/Build Development Network in support of students/individuals looking to start their own design/build projects.

 

1to1 has set up its first Pretoria Chapter of its student league. These students work independently from the University to grow their own perspectives of an Architect’s role in informal settlement upgrade and the nature of South Africa’s developing Urban Landscape.

To set up your own chapter of 1to1 in your Tertiary Institute  CONTACT 1to1 NOW
 

THE ACTION RESEARCH STUDIO

These chapters exercise their own iniatives through Action Research Studios – multidisciplinary active building/design projects.
  

This involves engageing directly with other Community Based Organisations, researching contextual and social paradigms and proposing innovate and appropriate solutions hand-in-hand with communities.

This chapter has completed its first project in Slovo Park during the 2012 July holiday break:

 






 

*

1to1 Moving Forward

Currently 1to1 is in a developmental phase of its growth. Having completed its first student project, the group is expanding into more professional role under the guidance of its executive board and partners.

Academic Paper: The Design of Urban Form as Response to Elusive Patterns and Networks

Author(s):     Ida BreedMias Claasens and Jhono Bennett

FLORENCE, 2012

Abstract:

 

This article maintains the importance of a contextual and humanist understanding for the design of public space through the incorporation of concrete and changing realities in the analysis of the urban environment. In an attempt to reach a greater understanding of the construction of space through social networks, qualitative fieldwork methods are used to document the flows of social process and physical matter in the immediate context of the two chosen sites for intervention. The importance of these networks for the design of built form and space are determined for each scenario.

 

The research underpins the design relevance in architecture (and contemporary urban life) of social activity, movement, temporality versus permanence (in form), and mobility versus fixity (in location). It places in question the traditional role and definition of architecture and their present relevance in the developing world. The result is an alternative set of considerations that define the architectural brief assuring: integration with the public realm; inclusion of emergent functions; and awareness of the importance of temporality and flexibility (with regard spatial structure and appropriation). The first case study is an urban industrial area and the second a peripheral, informal urban area. Both examples are situated in the city of Pretoria within the greater Tshwane Metropolitan Area.
Key words: Architecture; Urban Space; Emergence; Qualitative; Networks; Developing.

Diaspora: An Architectural Masters Exhibition

Post-Post-Grad

I was approached by my first year lecturer, Rodney Harber, some weeks after my final dissertation presentation, while in my home town of Durban.

Professor Harber was keen to arrange an exhibit of the two design distinction students from UKZN who had completed their Masters at the University of Pretoria. Not being one to let go of an opportunity to self publicise I jumped at the opportunity and even offered to design the event invite.

Below is the speech Rodney presented at the opening night ( taken from the KZNIA website):

Rodney Harber’s introduction at the Exhibition Opening on 12th April 2012:

Diaspora is a consequence of an architecture education crisis in KZN, arising from the possible suspension of validation at UKZN, DUT courses ending after only four years as well as the severely reduced capacity for students to get a place in the Masters programmes leading to professional qualification. Many students have applied up to three times!

Diaspora is about our local students having to fan out all over the country, and as far afield asNew Zealand, to further their careers. A DUT student is accepted at UCT this year – he was offered a place at UJ,Pretoria and Cape Town- there was no space for him locally! Every school of architecture inSouth Africacurrently has UKZN students enrolled from this Diaspora.

The problem is that a significant number of these are likely to remain elsewhere, thereby draining our local pool.

In 2010 when I was on the thesis panel at PretoriaI realised that I had taught 18% of that group in first year at UKZN! A huge proportion of that class, who had been forced to relocate to complete their studies.

This is when the idea of holding this exhibition took root. It is to express a sincere thank you to the School of Architecture at the University of Pretoria, in particular, for helping the KZNIA. During the 2011 thesis examinations two students, also from the same first year at UKZN, achieved outstanding results. We are very grateful to Jhono Bennett and Byron Snow for displaying their output of this Diaspora here this evening. It illustrates what has been lost toDurban!

Jhono thesis tackles housing, informality and incremental growth and Byron’s the development of the market atMaputo, a significant design of a complex urban building in a developmental situation with co-operation between Eduardo Montlane University in Maputo and Delft.

Prof Karel Bakker wanted to open the exhibition but couldn’t make it.

Byron and Myself

 

 Rodney presenting the work
Byron Snow presenting his project

 

My work on display #1 
My work on display #2
My work on display #3 
Nina, myself, Rodney & Byron 

The highlight of my evening was a conversation with another of my first year lectures, Derek Van Heerdan;

Me:       Hi Derek, nice to see you here.
 
Derek: Hi Jhono, I never knew pigs could fly until I got here tonight. 
 
Me:      Thanks?
*

The Swedish Inquire-sition

 

 
 
(Bennett, 2012)



The Programme
 
The programme provided by the Royal Institute of Arts Stockholm, Sweden, is a post post-graduate multi-disciplinary research course in urbanism. The students are all professionals with master’s degrees behind their names as well as a few years of practical experience.
 
Excerpt from the outlining document Just Grounds: Cape Town:
 
 
 
‘Within the context of the series Happy Grounds, we will discuss alternative concepts of development, growth and happiness, from both a global as well as African perspective. 
 
We will investigatethe term spatial justice and those theoreticians and practitioners who are working to further develop this concept. 
 
We will meet the young Africa, by looking at the city through the eyes of its children and youth. We will revisit the philosophical and architectural discussion from the late 70’s which was informed by its fascination with the everyday. 
 
We will also discuss urbanism in relation to post­ colonialism, post­apartheid, mobility, migration and biological diversity. 
 
Above all, we will take part of the intensive debate concerning the African city that is going on right now in Cape Town. The goal of the course is to formulate an innovative urban planning proposal for a part of Cape Town which can contribute to its development.
In addition, the proposal should contribute to an international discourse on our sustainable urban futures.’
 
 
 
Their pre-research included literature studies of several non-fiction authors of South Africa and seminal readings on authors such as Paula Friere, Abdou Maliq Simone, Edgar Pieterse and other referential authors in this area of study. The research was channelled into several group exercises within a work shopped environment in which broad conclusions on themes and possible solutions to be investigated were discussed.
 
As part of their programme a research trip to Cape Town was planned, made up of an intensive two week focus period of tours, lectures and small scale research projects to determine ‘Future Visions’  for Cape Town and possible identify ‘Seeds of Change’ during their time in the Mother City.
 
 
The Swedish Armada in action (Bennett,2012)
 
The Swedish Inquire-sition
 
This two week non-stop Afro-Urban-Safari was made up of ten hour jam packed days with practitioners involved in cutting edge of local urban development across Cape Town.
 
The group itself was broken into four projects teams, each focusing on a different area in Cape Town, and a project within:
 
·        Princess Vlei open space scheme: with Henrik Ernstson and initiator Kelvin Cohran
·        Dunoon: Inkwenkwezi Secondary School with Heinrich Wolff and the school staff
·        Various garden sites in the Cape Flats: Home gardens with Soil for Life
·        Langa – Hostels to Home Project: with Fadley Isaacs and Architects Associated
 
These groups were then expected to produce findings from further inquiry and exploration between the scheduled tours and lectures, identifying the ‘visions’ and ‘seeds’ mentioned prior.
 
These findings were to be presented at the end of the two week period to a panel of local experts in these fields including, Heinrich Wolff, Mokena Makeka, Edgar Pieterse, Fadley Isaacs, Henrik Ernstonn, Soil for life team members, Architects Associated, Professor Iain Louw  and a various other professionals involved in the build-up research.
 
 
Presentation from Ismail Fourok, from the African Centre for Cities (KKH,2012)
 
My Role Within
 
I was invited by Gordon Pirie, of the African Centre forCities, to join the Swedish Armada, as a sort of guide to Cape Town, but also as an opportunity to learn and explore Cape Town through the eyes of a foreigner. My position within the group allowed me to sit anonymously in front of local speakers and hear uncensored accounts of their work as a total outsider.
 
For me it was an opportunity to meet the people I had spent an introspective year, my own master’s dissertation, reading about and see their work at first hand while adding to my collective understanding of Cape Town within South Africa.
 
 
A school teacher of Inkwenkwezi and myself (KKH,2012)
 
The Tour
 
The following brief photographic summary depicts a series of moments from the afore mentioned Afro-Urban-Safari. An amazing and rich series of tours, lectures and trips that covered more in 10 days than most people in Cape Town see in their lifetime.
 
Due to circumstances mentioned later, I lost 90 percent of the documented pictures The rest of the pictures are made up of photos from the students with a few of my own surviving pictures.
 
The Swedish Armada…. (KKH, 2012)
 
 
 
Architect, Heinrich Wolff of Noero Wolff Architects guiding the group through the school (Bennett, 2012)



Inkwenkwezi Secondary School  (Bennett,2012)
 Informal Housing Settlement Tour with Heinrich Wolff, Dunoon. 
 
Walking through the built fabric (Bennett, 2012)
 
Incremental Self Built Rental unit with Vegetable Shop below (Bennett,2012)
 
Entering the the more ‘formal’ section of Dunoon, with the school looming in the background (KKH,2012)
 
Service allocations in Dunoon (KKH,2012) 
Hostels to Homes, Langa, with Fadley Isaacs.

 

 
 
The communal street space (KKH, 2012) 
 
The reactions (KKH, 2012)  
 
Langa Hostels, service road (KKH,2012)

 
Soil For Life, Constantia, with Pat Featherstone   

 

 Talkwith Pat Featherstone (KKH, 2012)
 
  Green Food Wall (KKH, 2012)
 
Soil for Life: Local projects in Cape Flats 
 
Woodward Circel Community Garden (KKH, 2012) 
 
  Various other local Gardens (KKH, 2012) 
 
   Various other local Gardens (KKH, 2012) 
 
 
 Bottom Road Sanctuary, Grass Park, with Kelvin Cohrane and Henrik Ernstoln
 

  Discusion at Bottom Road Sanctuary with Kelvin Cohrane (KKH, 2012)

 

 

The sanctuary (KKH, 2012) 
 
Various Post Apartheid Projects, Philipi & Nyanga, with Profesor Iain Louw
 
Philipi Car Wash by Jacqui Perrin (KKH, 2012)   
 
 Philipi Car Wash (KKH, 2012)   
 
  Philipi Car Wash (KKH, 2012)  
 
 Philipi Car Wash – the Swedes learning isiXhosa (KKH, 2012)  
 
 
  Philipi Station (KKH, 2012)  
 
 Philipi Station – Overlooking Cosova (KKH, 2012)  
 
  Philipi Station  (KKH, 2012) 
 
 
 Long Distance Taxi Rank, Nyanga (KKH, 2012)   
 
 A lost Swede in South Africa… (KKH, 2012)   
 
 
 Meat Market, Carin Smuts  (KKH, 2012)   
 
Kayalitsha, VPUU projects with SUN Development PTY.
 
 
 IGUMBI LOKUHLANGANELA – Community Centre, Sun Development (KKH, 2012)  
 

Local Creche, Burundi, Kayalitsha (KKH, 2012)  

 
  VPUU Building Harare, Kayalitsha (KKH, 2012)  
 
VPUU Building, Kayalitsha Station, Kayalitsha (KKH, 2012)   
 
 
VPUU route, Kayalitsha (KKH, 2012)   
 
Various Studio Visits, CS Studio/ARG/Local Artists, with Carin Smuts and Gita Goven

 

 
 
Gita Goven presenting her work with ARG (Bennett, 2012)
 
CS Studio (KKH, 2012)
 
Local Artists in Woodstock, Cape Town (KKH, 2012) 

 

 

The Dunoon Group
 
Professor Henrietta Palmer, who leads the programme at the Royal Institute of Arts, suggested it was better if I was involved directly with one of the groups. 
 
I chose the project working in the informal settlement of Dunoon as I had the most experience in this type of project and enjoy the process uncovering the intangibles of developing areas, as well as an interest in the much acclaimed Inkwenkwezi Secondary by Neoro Wolff Architects.
 
The Dunoon group was made up of two visual and audio artists, an architect and a bureaucrat who works in the equivalent of the Cape Town City Council back in Stockholm.
 
The initial outlined task was to work with the school as well as the condition whereby local residents of Dunoon were building structures in place of the allocated government housing and re-structuring their own urban environment by their own means.
 
The group decided to focus on the school, as it was the most stable element in the context and within the time limits available this seemed sensible.
 
Inkwenkwezi Secondary School in Dunoon, Western Cape (Bennett,2012) 
  
The Research
At first  the inquiry was fairly loose with the group members discussing their ideas of ‘future visions’ and what determined ‘seeds of change’. The group agreed that they would set up a series of questions asking the various actors involved in and around the school how they saw themselves in the past, present and future in order to ‘triangulate their perspectives.
 
Triangulation of perspective (Bennett,2012)
 
These questions would be limited to the school to delimit the scope and range of work needed to be covered in the available time. Effectively the school became a metaphorical lens of perspective from which to view the area of Dunoon.
 
 Lens of perspective – the school (Bennett,2012)
 
It became very apparent that the group wanted to understand to connect – to respond. They wanted to engage with the context and the people directly involved, mainly the children, and discover what their hopes and dreams were within their environment.
 
Interviews with students (Bennett,2012)
 
From the outset the group seemed genuinely interested in understanding, in the process of discovery, but as they began interviewing the school staff  it became clear that to remain objective and clear in the process was going to be difficult. There were various incidents which made this apparent, including a miscommunication in regard to the permissions of the group in the school-leading to further delays, a car break in, where R25 000 worth of camera equipment and various other items were stolen in plain sight and broad daylight.
 
The Swedes cleaning up, while I talk to the police (KKH, 2012)
Several heated discussions arose from the initial findings on site of the mixed perceptions of Inkwenkwezi and Dunoon from those interviewed. This led the group into a debate on what defined positive and negative factors of development in areas such as Dunoon. The discussions were centered on the different views held by the group members in regard to what defined concepts of ‘equality’ and ‘justice’ and whether they were appropriate to define and expect in certain conditions.   

 

 
This was commented on by Heinrich Wolff, the Architect of the school, during a preliminary presentation. Heinrich made note that the context could not be summarized in general terms, but that to understand the environment the group should engage directly with the context of Dunoon. The groups defended this by commenting that with the available limits, the decision to focus around the school was intentional.
 
 
Dunoon Group, exploring the school (KKH,2012)
 
As important as these debates around defining the intangible factors of positive development, it felt as though the group was constantly comparing Swedish apples with South African Naartjies.
 
Presentation
The  groups then presented their projects to the panel in an afternoon exercise at the end of the 10 day process.
Each group had 30 minutes to present their work, describing the findings they had uncovered as well as possible solutions for future ‘seeds’ in their contexts.

Group Presentations (KKH, 2012)
 
The Dunoon group arrived at a multi-perspective narrative of their experience with the school. Beginning with a metaphor of the school as a Theater of Action, based on Iain Louw’s writing.
 
Multiperspective map of Inkwenkwezi Secondary (Dunoon Group,2012)  

 

 
Metaphor for analysis – Theatre of Action (Dunoon Group, 2012) 
They expounded on the diverse nature of the school, in that it could host so many different conditions simultaneously – a theft just outside, church groups inside, and spaces of safety for learners, etc.
Analysis of process around school ( Dunoon Group, 2012) 
 
They then described the school through the different perspectives of the various interviewees. Each member playing the role of a fictional character in the ‘theatre of action’ and explaining their story.
 
The group then summarized their process in a possible method for future development – a metaphorical ‘bracelet’ of approach.
 
The bracelet signifying an element that carries intangible value while remaining close to one. This bracelet metaphor could be taken further in allowing it open up and expand into new directions.
 
The Bracelet – A metaphor for future development 

 

Comments on the panel were varied, but carried a general positive tone towards the nature of the work undertaken by the students as a whole.
*
What I discovered after the presentation, was that the Dunoon group was looking to find real possible interventions to be implemented at a later stage. This explained some of their urgency in determining ‘solutions’ for the problems.

In the end I felt the product of all the groups were very general compared to the richness of the exercise, with the true value lying in the process of immersion undertaken by the Swedes into an entirely different context.
 
Naartjies and Apples
A speaker from the Sustainability Institute asked  a question that any researcher in such a field should ask themselves:
 
“What process of un-learning have you undergone to prepare you for this experience?”
 
Perhaps the degree or nature of open mindedness of any professional in contrasting contexts should be constantly questioned. This is true of not just foreign visitors, but applies to local professionals who struggle to open themselves to the alternative realities faced by South Africans in poor underserviced.
 
*
 
From the moment I sat down on the bus with the Swedes, the questions began. Questions which I assumed I had a fairly grounded understanding of. Having spent the better part of my tertiary education investigating these topics I felt that the opinions I had fostered were more appropriate than an outsiders as I had been involved hands on, and had personally dealt with these contexts and associated problems.
 
The truth I feel is that the underlying issues at hand are so interlaced with so many contextual, political and cultural factors that the understanding I had developed is in fact as subjectively based from within as the pre-conceptions the Swedes had from outside.
 
It has solidified my own resolve to stay honest to my personal mandate of explorations of the African urban context, and future studies within my career.
 
The Swedes, trapped by a system of rules (Bennett, 2012) 

References
Jhono Bennett, Author. Photos
KKH, Royal Institute of Arts, Stockholm Sweden. Photos
Dunoon Group, KKH. Photos

 

 

Zanzibar – Documenting the Intangible Heritage Value of Stone Town

Mapping the Open Public Space of 

 

 Stone Town, Zanzibar
 
“…I’m not going-to-cook-it, but I’ll order it from ZANZIBAR!!!”
Jack Black, 2005

Two weeks after completing my masters dissertation I received the news that my fragile leftover self would be able to join the University of Pretoria’s research expedition to Zanzibar‘s Stone Town.

The trip was planned over the December break and would have us in Tanzania for three weeks over Christmas. With no other way to say no and the possibility of an East African adventure I happily agreed to help in the search for:

 ‘…the intangible values that makes Stone Town a World Heritage Site

Background

The trip was funded by the Flemmish Government and the University of Pretoria with support from the Stone Town Conservation and Development Authority and the Department of Urban and Rural Planning.

 
Credits taken from the 2011 report (UP,2011)

Our mandate was to document and identify the intangible elements that gave Stone Town its World Heritage Status, and from the documentation make recommendation how to preserve these elements in the face of current development. 

Intro

Stone Town is located on the South Island of Uguja, known as Zanzibar. Formed as a major port city on the East African trade route, Stone Town stands as an Architecturally social reserve for the Swahili culture.

Location map taken from the 2011 report (UP,2011)

Our first day was spent taking in the intimate spaces that made the street ways and public open spaces of Stone Town.

The UP team exploring Stone Town
A portrait of street life
The major public spaces are found in the beaches
The famous hand carved Zanzibar doors
Jaws Corner, one of the most well known squares
Bicycles, motorbikes and scooters play havoc as one moves through the narrow streets
The accommodation we were given – on the right
Culture within development
 
The peace memorial within Stone Town
Our hosts from the STCDA, leading the tour
Street cleaning
Maintainence being performed on a coral stone buildings
An entrance to a mosque
The Forodahni night market
Private square beyond the street
The romantically placed upper levels of living
what happens when you get lost in Zanzibar taxi trying to get home
 
Various elements of street life in Stone Town
What we discovered was one of the true elements that made Stone Town – the barazza’s.

The Research

The process of documenting the squares was our main task. We worked closely with the departments involved in Stone Town’s cultural preservation and urban development.

Our briefing from the authorities
Our home base was located in the STCDA’s offices. Part of the former palace grounds to the House of Wonders, we were set up in the former library of the East Wing.
Our Zanzi-Offices


Preparing for the documentation process
View from our Zanzi-Office’s library window to the House of Wonders
The inner courtyard of our Zanzi-Office, the STCDA building

In the field

Cover to the 2011 UP Report (UP,2011)

The plan was to work from the University of Minnesota’s outline of the 114 public squares of Stone Town, and document the aspects of each square that made up the intangible heritage values.

Due to time constraints the STCDA identified squares of importance (30) and we strategised as to how to capture the required information.

The team in the field

We settled on a methodology of capturing the nature of the square objectively through a panoramic view, noted elements of ‘importance’ and took several interviews from square users and passer bys.

Methodology taken from the report #1  (UP,2011)
Methodology taken from the report #2  (UP,2011)

We split into several groups made up of STCDA staff members, volunteers from the local University and University of Pretoria students.

My team and myself in the field #1
My team and myself in the field #2
My team and myself in the field #3
My team and myself in the field #4
This information was then painstakingly captured and documented into a graphic report to UNESCO.
The Square register (UP,2011)
Example of captured square #1 (UP,2011)
Example of captured square #1 (UP,2011)
Example of captured square #2 (UP,2011)
Example of captured square #2 (UP,2011)

South Island

During this time, on the first weekend, our hosts treated us to a day trip of the South Island.

The trip took us on a dow sail to a bizzarly remote tidal island made up of only sand and hundreds of faux Italian swimsuit models.
Island of the Italian swim suit

Here we spent the day snorkelling, sun bathing and relaxing. Later, as the tide drew in, the Dow returned to take us home.

Mbweni Ruins

During the week, we sought to escape the hustle of Stone Town. After meeting a group of expat locals, they told us of the Mbweni ruins hotel. Just south of Stone Town, it’s definitely one of Zanzibar’s secret sunset locations.

Presentation

After two weeks of toiling in he streets of Stone Town, we presented our findings to a panel of local authorities and the STCDA in the halls of the palace building.

Impromptu meeting hall
Preparing for the speech
The presentation under way
Standard post research trip group photo

North Island

A very much needed break was taken after the research work. The team hopped onto one of the infamous Dallallas (Basically a taxi on the back of a flatbed truck) to the North Island, headed to Nungwe.
No space in the dallalla after 37 people are squeezed in
A local gathering we came across on the way north

Arriving at the picturesque North Island at Nungwe, we took a water taxi to the Kendwa Rocks resort

Nungwe Resort, paradise?
Water Taxi
And as all tourists in Zanzibar, we took full advantage of the photo oppurtunities in the poetic sun sets of the East African Islands.

Using all the connections we made in Stone Town, we arranged a dow cruise to a snorkelling reef on the far end of the North Island.

Our last afternoon in Zanzibar was spent relaxing on the beach while we watched the North Islanders performing on the beach.
 

A very conscious and restrained effort has been made not to mention in detail the nature of Zanzibar’s ‘Beach Boys’ and the phenomena of the Jungle Safari that takes place all over Sub Saharan Africa… Lets just say apparently if your a pale African, your not really African…

Zanzibar – land of sunsets?
Heading home

Research into foreign context

During the trip, we discussed at length the notion of foreign research’s aiming to quantify intangibles in unfamiliar contexts. Is it fair to claim we understand the value of Stone Town, a 500 year old settlement, in two weeks of research?

While the team felt frustrated at the time frame we were given, it forced us to make quick decisions and realise our limitations. In the end we agreed on an honest depiction of what we saw, captured as objectively and clearly as possible. We aimed to let this exercise set up the framework for further research by documenting the process as much as the findings we identified.

Surely a fresh perspective should add value to any subject? Perhaps, but from our side we felt that our own perspectives were broadened in regard to looking into identifying ‘elements of value’ in our own cultures back at home.

*
Tail piece

Master Dissertation – Milestone 8

Milestone 8 – Final Presentation
 
                                                                        Jhono:          My project is about my pole.
                                                                        Lecturer:     Is that all ?
                                                                        Jhono:          And, how it grows through engagement… 
                                                                        Lecturer:     I see…
(Final Crit [In my mind];2011)
*
Presentation day finally caught up with the Studio, ready or not, we were flung into a 3 day fury of pinning up, down and away.
My work took up the entire venue, and included a PowerPoint portion, a small audio visual table with the film work and the Slovo Park book. I had to plan my position for each part of my speech, how I would explain taking care not to turn my back to the panel at any time, as well arrange seating, lighting e.t.c.
My external for design was Hugh Fraser, and for technical I was assigned Dieter Brandt.
Left Wall

 

Room 3-15 – Boukunde – Presentation Venue
Audio Visual Display + Books
Front Wall
PowerPoint displaying Growth Video
Right Wall
1:500 Model and 1:100 Lazer cut process models

1:500 Site Model
The Crit
The presentation began at 5:10 pm, where Jankel Niewoudt (who was also working in Mamelodi) and I presented our frameworks and research at another venue, we each had 6.5 minutes to do so. From here the panels then split, Jankel presented to the technical first, and I the design.
The panel then took 5 minutes to look over the work and asked me a few quick questions between.
Pre Crit Tension
I was then introduced by our head of school, Karel Bakker, and opened with my problem statement taking the panel through my process, my findings and the subsequent result of the non-building, but the Infra-Tectural approach I had arrived at.
My design external, Hugh Fraser, then asked me several questions about the use of metal walling system in a cement building, the process I took and role of cement in developing areas. I received a fairly difficult question from the head, Karel Bakker, with the rest of the crit from Alta Steenkamp, the head of University of Cape Town’s masters, and a handful of positive comments from Rodney Harber and Professor Raman from the Cape Town University of Technology.
The technical presentation went much the same, but produced an interesting discussion around the role of architecture in developing areas and how designers should engage. The highlight of the crit was Dieter Brandt’s suggestion that I take this further into a ‘Built Doctorate’ and that the work I was doing should be taken further in the school as teaching topic. In all both very positive crits.
We received our provisional marks at the final exhibition evening the following day; where I was awarded a distinction for design, but not reaching the coveted Cum Laude by missing my technical distinction by 4%.
  
Although very self satisfied with my distinction, I couldn’t help but feel that I could have taken the Cum Laude. In retrospect, I realise now that my project was not about a building in its form and aesthetic, but about the need for alternative architectural approaches and intervention in South Africa’s fastest growing and most dynamic areas – the peri-urban context – making it fairly difficult to award a mark for such an intangible product, a result I feel rings true to the nature of the year and my project.
Perhaps if I had foreshortened my process and spent more time on resolving a building by traditional definitions then I would not have had the fulfilling and ultimately rewarding design, theoretical and academic process that was my dissertation year.
In all, I feel I have learnt more this last year than any other academic year and am looking forward to a break from academia in the working world.
The Work on the Wall
 
Problem Statement:
 
CURRENT PRINCIPLES APPLIED TO ARCHITECTURAL INTERVENTIONS, IN SOUTH AFRICA, ARE BASED PRIMARILY ON RESILIENT NETWORKS – WHILE NOT REGARDING THE SPECIFIC REQUIREMENTS OF THE VULNERABLE NETWORKS IN CONTEXT.
I explained that based on the Slovo Park Project undertaken in my honours, a four month participative research, design and build project in Soweto where we constructed with the residents of Slovo an intervention based on a critical research process, we the students began to re-examine our roles as designers and facilitators of development during this process of total immersion developing context. (Page1)
(Page 1)
In order to gain a further understanding of role of architecture in developing areas I undertook a country wide Research Trip aiming to look into what was being built in developing areas and how these buildings worked in context (Page 1)
I did not find the answers I was looking for, but rather several questions. Primarily:
How can Architecture actively engage with 
its immediate, developing pre-urban context?

(Page 2)
Research
I began my research process by examining the intended users of these ‘community’ centers
And what defines this term ‘community’. I looked at the different tangible and intangible factors of connection between people and their immediate and extended environments – what exactly connects them? (Page2) 
 
This led to an understanding of these users more under the concept of:
A complex network of people connected together in a layered organic system
The hypothesis being that in order to begin to understand the complexity of the network and determine an appropriate architectural intervention through engagement and contextual analysis – qualitative data can be procured – allowing the complexity of the network to be interpreted through a lens of participation.
Its needs and requirements can then be identified to determine a sustainable intervention that cultivates true ownership at its core.
 (Page3)                                                                                       (Page4)
Analysis
To gain critical distance from Slovo, I chose the Mamelodi, Gauteng – specifically Mamelodi East, Ext 12 –  as the laboratory for the dissertation and began lengthy on site research, focusing on the cement brick makers discovered during site investigations. (Page 3&4&5)
 (Page 5)
 (Page 6)
Several interviews were held and the brick maker’s network analyzed through participative interview, observation and mapping exercises. (Page6)
This data was then graphically illustrated and analyzed in order to express and interpret the nature of the network and the process of production and distribution (Page6)
(Page 7)                                                                                                (Page 8)
 
Findings
Key findings include:
  • The manner in which temporary brick elements created space and advertising in the cement yards
  • How brickyards came about and the temporary nature of the space they occupied
  • How people bought bricks incrementally and not in bulk as expected
(Page 8)

Primarily:
A niche programmatic opportunity presented itself not in the making of bricks, but in the supply and distribution of bricks, materials and other building goods, mainly in cement and the social role it played in the Mamelodi context (Page 9)
 (Page 9)
Key Findings
During this –process connections between the temporary brick makers and the permanent elements such as housing were observed (Page 9)
This same sort of link was observed between temporary elements in housing and the permanent,
There existed a dialogue that allowed growth through varying states of temporarily and permanence enhanced by the mobility of housing observed on site.(Page 7)
There existed a relationship between these factors of temporarily and permanence, and through various states of emergence these factors manifested in the context.(Page 9)
 
 
Extract taken from dissertation book to explain niche programme (Page 10)
Chosen Site
In order to respond architecturally I chose a site within the developing Mamelodi East at the Pienaarspoort station, due to its permanence within temporarily and GAPP’s precinct development.  (Page 11)
After more on site interviews and visits I analyzed the areas in terms of permanence and temporality along the mobility routes, through this I determined the nature of intervention that would exist between the tangible and intangible networks of transport and the brick makers supply and distribution networks focusing on the role of cement. (Page 10)
 (Page 11)
Mamelodi East
Mamelodi east is the newer of the six precinct gap proposes and I made up of more than 70 percent temporary houses or shacks, the  land uses were analyside put together a set of scenarios for development of the Pienaarspoort precinct, based on the lessons found on site and influenced by Gap’s proposals.(Page 11)
The proposal calls for an incrementally phased development that uses mobility routes to develop economic nodes, using temporary housing to pioneer areas and through a series of negotiated responses grow a development from within. (Page 11)
Using cement as a determining factor of time, while the intervention IN RED is expected to adapt and display the flexibility based on the values of the site described earlier on.
 (Page 12)
These themes of flexibility, mobility were then explored in a short film submitted to the CnCI Film Competition. Here a character that finds himself in foreign context and seeks connection to grow and develop. This story explored the nature of flexibility and adapted into a storyboard.
From the film exploration, and architectural concept was developed:
 
  • A intervention that arrives on site,
  • Then seek to connect with its context to grow and develop,
  • Then begins to grow from this connection
  • Reaching a point of equilibrium, its usethen  diminishes
  • Begins to decay
  • Leaving behind a residue of necessity to inhabited by future users
(Page 12)
 
This is key to create a sustainable intervention that will cultivate ownership and actively engage with it developing context
The Process
(Page 13)
To design such an intervention, I began exploring the spatial and structural element in context
Looking at the elments such as the containers, zozos, RDP self-built houses and other temporary structures. Through this exercise a ‘portal form’ emerged as a basic spatial element of growth in the context.(Page 13)
I then looked at how these elements could be used to ‘grow’ a building using  Stewart brand’s definition of structural elements to guide my process.(Page 13)
(Page 14)
Looking into architectural theory behind flexible, and adaptable buildings I took Cedric price’s fun palace as precedent focus point, and examined international precedents from Roman times through Modernism into current theories around Nabeel Hamdi, Christopher Alexander, John Habraken and Teddy Cruz.(Page 14)
I identified the the Support and Infill elements from each example, doing the same with local examples and again with contextual elements on site. Through an iterative process of exploring how these analyzed elements could be used as different support and infill roles could be used to grow a building.(Page 14)
It became an exploration of how to allow for the most basic forms for appropriation. I began looking at point, line, plane and volumetric spaces and arrived at the most basic form giving space – the corner.(Page 14)
I took this and explored more design options summarized here and in my book, arriving a multiplanar, multidirectional unit of growth.(Page 14)
(Page 15)
This unit was inspired by the pre-cast concrete lamp posts in Slovo Park, and how they:
  • Ordered space,
  • Created landmarks
  • Provided intangible volumes of appropriation
(Page 15)
(Page 16)
And how if the simple lamp post was carefully adapted and used in its own system of support and infill, it could be used as an agent of growth in a developing context. (Page 16)
 
(Page 17)
Unit of Growth 
The unit itself is an adapted pre-cast concrete lamp post with specially designed secondary connections allowing for structural and spatial appropriation. These units would work in same way as exiting lamp posts, but through careful design aid social programmes as we all infrastructuctural. (Page 17)
 (Page 18)                                                                                                  (Page 19)
By providing lifting support,being powered autonomously and responding to edge conditions the units give the basic structural and service support need by vulnerable retail networks to develop and grow. (Page 18)   
These lamp posts aim to deal with the street edge condition in developing areas by provides own able public infrastructure in the true retail area – the street edge. (Page 19 & 20)   
    (Page 20)                                                                           
By a system of ownership and control, the less vulnerable network agent would rent out the spaces in-between the units to more vulnerable agents thus becoming agent of control themselves.(Page 21 & 22)
                                                   
(Page 22)                                                                                (Page 21)

                                                            

The unit is expected to be used in addition to exisitng infrastructural elements in developing areas to enhance not only the tangible context, but facilitate the growth of intangible networks without destroying the strength gathered in the development process.  (Page 23)

 
     (Page 23)
  (Page 24)
The unit is adapted from the typical pre-cast lampost, and designed to allow for secondary connections, provide lifting support for owners and provide autonomous services to users and sub users. For the dissertation I worked closely with engineers from Infraset and developed an octagonal profiled unit I called the JB-Spinnekop.12Kn. (Page 24)
 (Page 25)

The unit is illustrated here depicting its proposed growth in context, how it orders space with out controlling it. (Page 25)

 (Page 26)
As explained earlier the units themselves would work in a support and infill strategy based elemental’s Chilean project. (Page 26) In order to explore the Architectural possibiliites of the unit the unit is hypothetically placed on site, in Mamelodi East, Ext 12. (Page 3) Cement is used as the factor of time and the on site-analysis as guidelines for development the project is broken into 11 hypothetical phases. (Page 21 & 27)    
 
 (Page 27)
 (Page 28)
The idea here is by using key public infrastructure members in system of control and ownership that guide development in a developing area, such as Pienaarspoort.  (Page 28)
 (Page 29)
Here a hypothetical set of scenarios based on the research is outlined following the movements of Cement retailer network as the main character in the narrative:
EARLY PHASES – these phases reveal the intimate steps in the growth, and depict the flexibility of the unit in the process of support and infill of its placement.
PHASE 1 – Independent cement retailers mixed with other retail forms use the structures.
PHASE 2 – Cement retailers form a consortium and get assistance from Afrisam.
PHASE 3 – Fueled by the cement distribution and collection, the site has become a larger retail depot for any consumable goods required in the area.
PHASE 4 – Cement trade has died down, but the precinct has grown into an important retail and transport hub.
PHASE 5 – The precinct has becomes the major transport station for the east linking to the transport interchange planned by the City of Tshwane and GAPP.

(Page 29)

This can be seen in the video below.

 

PowePoint video shown to depict growth

 (Page 30)
 (Page 31)
(Page 32)
The Cement Depot
For the purposes of the dissertation, a phase was chosen to explore the architectural possibilities of an agent of control being required at a later stage. Phase 3 at the zenith of growth is used, and the through the narrative the Cement Depot along with the cement retailer network was selected based on the research. (Page 32)
(Page 33)
Explained earlier, the idea of a de-centralised factory typology was explored as the expected result of growth, the concept being that the production, retail and other programmes are already being fullfilled in the context and the intervention needs only respond to the distrbituion and storage of goods in the organic factory model.(Page 33)
(Page 34)
(Page 34)
The facility itself is designed to using the principles explored through out the process, using containers as structrual and space forming pieces, the unit as growth medium and the various other temporary and permanent elements in between as infill.(Page 34)
(Page 35)
The depot works within the same principles as the precicnt, in that it operates from a centralised service node, while allowing for levels of control within the administritive and retail programmes – renting spaces in between to sub retailers to allow for a symbiotic relationship between different forms of retail, adming and industrial programmes.(Page 35)
(Page 36)
The building elements are intended to be pre-cast concrete infrastructural pieces such as culvets, culvert bases and road kerbs as support pieces while allowing for infill from the context. These form the loading platform from which the facility is run.
(Page 37)
(Page 38)
(Page 39)

The facility itself is designed with a building system that has been used in the context of  Mamelodi. This metal insultaed cladding system is employed to work as temporary form within the developing area and provide ane xample of alternative cladding systems.(Page 39)
(Page 40)                                                                                                           (Page 41)

The primary proggrammatic function of the facility is storage and distribution. This is broken into long, medium, and short term storage. Long term storage being on the upper levels and facilitated by a jib arm attached to the unit. (Page 40 & 41) 

(Page 42) 
(Page 43) 
The facility is designed to work under the guiding principles determined through the process, allowing for levels of control and ownership within the Infra-tectural units. This is achived through an ordering of support and infill not only in the structure provided, but also in the social heriachies of the proggrammes. (Page 42 & 43) 
(Page 44) 
The only traditional Architectural element in the scheme became the roof. The roof became the symbol of the cement retail network, designed from the portal form and made up of an assembladge of optimized trusses that would be assembled on site and be able to be assembled by teams of non-mechanised builders. (Page 44) 

(Page 45)                                                                                    (Page 46) 
The roof also acts not only as the symbol of the network and basic form of shelter, but an active resource collection element in water, sun and other energy devices. This makes cement depot the strongest agent of control within the narrative of the Pienaarspoort Precinct.  (Page 45 & 46)
 
Infrastructure as architecture – Infra-Tecture
 
The dissertation revealed a key question in regard to Architecture of developing areas:
 
What is the role of Architecture in facilitating development?
The initial premise of the dissertation was to re-interpret the type of Architectural intervention that would facilitate growth in a developing context, in this case Pienaarspoort, Extension 12.
The issue with proposing an Architectural intervention in a developing context is that in order to truly facilitate development bulk infrastructure is needed in the form of roads, services e.t.c. Without these elements it is very difficult to meet the needs of any users in this context.
The dissertation process led to a hybrid of infrastructure and Architectural possibility, not a traditional building as such, but rather a building system. This is only problematic in that a resolved and detailed Architectural product is required to complete the MArch Prof. degree.
I aimed  to resolve this by then exploring the Infra-tecture piece Architecturally in context. But, due to time constraints the author feels that the Architectural product did not reflect the year’s process, as well as drawing attention away from the true product of the engagement process – the Infra-tecture Unit.
The Infra-tecture Unit could have been explored in more depth, but now has the opportunity to be taken further in practice and explored outside of academic constraints and discipline specific outcomes.
Research vs. product
Although the process of engagement and subsequent research was crucial in order to determine an appropriate design solution, it took up more than half of the allocated time for the dissertation year. The time spent on research left minimal time for product resolution.
This could have been resolved by a more clear identification of what exactly was expected from the research rather than an open ended question of engagement.
Conclusion
Although the dissertation process began as an investigation into the social role of buildings in developing contexts and their roles within, it ended quite solidly with a spatial and structural problem.

The problem lay in what does one provide as support, what as infill and who controls what at which times.

A project of this nature that does not clearly address or identify this issue will surely fail as this social programming of space through architectural techniques is essentially the core of what South African spatial professionals need to address in today’s developmental climate.

The dissertation process revealed an undercurrent of uncertainty in this specific field of architectural intervention. Feedback from professionals who were involved in the process could not comment on the nature of the dissertation design in architectural terms.

The actual architecture was more of a service engineering with social aspects than the spatial and structural programming of traditional architectural projects.

Nonetheless, what emerged in the end was an understanding of what questions architects need to be asking  in these types of contexts.

*
End

Masters in Architecture (Prof.)

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