The film is essentially a passive service delivery protest, the tea behind its conceptiton did not want to play into the typical depiction of poverty and despair, but rather capture the cohesion and hope that many informal settlements and other vulnerable communities share.

*NOTE: Waterborne is currently a finalist in an undisclosable film competition, and cannot be embedded. 
To view please follow this link – WATERBORNE
Waterborne Synopsis

If you want to understand a community, ask them about their aspirations.

Slovo Park is situated in a politically and socially sensitive stretch of land south of Soweto. The community has been known by national government as Nancefield, by local council as Olifantsvlei and in the last five years as Slovo Park – named in honour of South Africa’s first minister of housing and former Umkhonto we Sizwe General, Joe Slovo. This forced changing of identity reflects an on-going struggle faced by the leadership of Slovo Park to gain recognition as a legitimate settlement to access governmental support. This battle has been fought through constant shifts in governmental policy, power and promises for the community of Slovo Park. Amidst the struggle, stories of sinister land dealings have emerged, outlining a possible truth that the ground beneath Slovo Park could have been sold from under the community’s feet. These allegations surface as the leadership of Slovo Park prepares itself to take action.

Waterborne captures the moment of hope, held in anticipation, before the first truly concrete step towards a dignified future.


In 2011, Alexander Melck of the Pretoria Picture Company, then an Information Design student at the University of Pretoria, began working with the founders of 1:1 on a student film competition. Although the first submission was not successful, the lessons gathered and the understanding required proved to be successful in 2012 when The Pretoria Picture Company and 1:1 partnered to work on Waterborne.

The submission to the CCI in Zero Film Competition was highly successful, and shooting began in July during Johannesburg’s freak snow storm, this gave the film a unique time stamp and brought home some of the most salient points of the production.

Crew list:
Director: Alexander Melck
Producers: Alexander Melck, Jhono Bennett, Ingmar Buchner
Cinematography: Alexander Melck & Ingmar Buchner
Grips: Jhono Bennett, Stefan Wagner, Michael Smith
Editor: Alexander Melck
Sound Design: MJ van der Westhuizen
Translations: Farai Machingambi
After effects assistant: Wouter Jacobs
Production interns: Christopher Ramm, Stefan Wagner
Sponsors & Organisers:
The Cement & Concrete Institute
Tin Rage
South African Institute for Architecture (SAIA)