Moving Spaces 2011 – Temporal Flux of the African City

This years Cement and Concrete Institute’s Film Competition was themed Science Friction and called for ideas on what the Future of the African Citiy will be.

The film competition gives students the oppurtunity to pitch their ideas to the organisers, who then select the top 4  entries and give them R25 000 to make a short film.

Previous winner include ‘Litshe le Golide ‘ / “Stone From Gold” –won Best Documentary Film (International Category)in Turkey at the International Istanbul Architecture and Urbanism Film Festival.

The film was produced by Guy Adam Ailion, Andrew Ross Bell, Tamara Lynnand Craig Michael Maarschalk all students from Wits University.

‘Litshe Le Golide “Stone From Gold” is a Short Film About Johannesburg City as a Mining Town Turn
Metropolis. The film narrates the memories of a mine worker swimming through water while he contemplates his infatuation for this contrasted city and questions, WHAT HAPPENS WHEN THE GOLD RUNS OUT ?



Original Pitch

Having spent the last few years working in the peri urban settlements of South Africa, the choice to do a film about the conditions around these areas was quite easy.

The work done around my Dissertation Research was used to support the story line, which was developed by myself and Tommy Van Deventer, a studio colleague who shares the corner nook of anti-social life in the bowels of Boukunde.

The Story

The basic outline of the story hinged on Rem Koolhaas’s study of Lagos, he put forward that possibly the future patterns of First World Cities lies in the sporadic and fluxual growth pattern of African Cities.

The Story begins when a lonely and lost spirit arrives in a foreign environment ( A Township).

The spirit then begins to wander his new environment, searching for purpose and place in this new world.

The spirit then makes contact with a young man who, striving for his own place in this world of the peri-urban, sells goods from a small mobile stand on the road.

The spirit then takes the form of his stand, providing him with support, shelter and place to work from.

The young man eventually rises above his circumstance and moves on, leaving the spirit abandoned to wander this world again. He meets and old woman, who is supporting herself and her children.

The spirit then takes the form of the woman’s house, providing shelter for her and her children, growing and changing over the years to adapt and meet their ever flexing needs.

The woman passes on and her children move away, again, leaving the spirit alone. Yet again it wanders coming across this time a group of men producing bricks from their backyards.

The spirit then takes the form of the bricks themselves.

Embodying the building block, the spirit then engages all facets of his now familiar world. Meeting the needs of as many people as it can through its now flexible form.

The spirit carries on for years as the brick, each year doing more to help, to find its purpose and place through engagement and response.

Finally, over saturated and overspent, the spirit relents its form as the brick, and by choice, wanders alone again.

The spirit then returns to where it first arrived, and begins to think. It starts to consider what it saw, what it did, how it helped and how it couldn’t, who it is and where it is, what it is?

As it sits thinking, it begins to change, it changes as it reflects on what it has seen. While the forms it takes begin to speed up, the people in the area begin to gather around it. The more it changes, the more the people gather.

The spirits own flux in form begins to speed up, more and more, people begin to engage with the spirit, taking shelter under its overarching form, resting on its changing surfaces.

The fluxual growth of the spirit, the multifaceted  flexible forms express the fluidity and adaptiveness of the South African condition. The spirit becomes one with the people thus exemplifying the true South African condition.

Pitch to the Producers

From this original pitch, we were shortlisted to a final 8, of which 4 were to be chosen after a pitch to the judging panel. 

Tommy Van Deventer, Merike Swanepoel, Alexander Melck and myself, then began preparing a more developed presentation. 

We decided as a group to take the original story and expand it to include the urban condition of South Africa as well. And take a step back and look at the theory behind the story.


The narrative would remain similar, but would tell the story of two spirits, an Urban and a Peri-Urban character,  describe each character, explain their micro stories, depict an event that brings them together and through a process of re-emergence, discover they are the same, and ultimately merge to be a truer, stronger spirit that embodies the nature of African City.

Merike put together a short introductory video to create the atmosphere necessary to begin the process.

Introduction of story Themes and Theory

Introduction of the true nature of the spirit, the indomitable human spirit to select one’s own path in life, regardless of choices offered.

Introducing themes of mobility:

Urban Character
Peri Urban Character

Themes of cohesion:

Urban Character
Peri Urban Character

Themes of Adaptability:

Urban Character
Peri Urban Character

Themes of Appropriation:

Urban Character
Peri Urban Character

Investigation into the history of mobility:

Where it began
Where it extended
Current Condition
Investigation of Mobility through Urbanisation in South Africa
Investigation of fluxual growth through Mobility
Fluxual diagram of permanence
Fluxual diagram of temporality
Tension and balance within overlap of conditions

Future of the temporal flux of the African City according to Rem Koolhaas.

Summary of Temporal growth within Settlement
Adaptation of theory into storyboard
The Story

ACT 1

Introduction of Peri Urban Context
Introduction of Urban Context

ACT 2

Introduction of Urban Character
Introduction of Peri Urban Character
ACT 3
Doppelganger Moment – When the two spirits, previous enemies, realise they are twins.

ACT 4

Realisation of unity, and merger to ultimate master of two worlds.

We then closed with short test samples using footage from Site Visits and animation to explain our visual intent.

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END
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Unfortunately, we did not make it through to the final 5. We were told our themes were too theoretical and our presentation did not convey our ability to produce a film.

Perhaps we should have stuck closer to the original story and presented a better narrative the second time around.

In hindsight, it would have been difficult to produce this video for the September deadline and complete the Dissertation year’s requirement. But the themes, and ideas discussed did much in the way of supporting the dissertation.

But, as we were re-assurred by the producers – there’s always next year….

Pre Masters Building Study

Every December my family’s evacuation from Durban to the relatively drier and calmer Western Cape takes us through the Transkei, Eastern Cape and Western Cape at break neck speed to lessen the hassle of the trip, a 1660km journey through the N2.
*Note 1

Having been involved in this pilgrimage for most of my life, and hardly experiencing more than a 5 minute fast food breakfast en route, I was determined to see what the N2 had to offer me as a student, a South African and Durbanite living in Pretoria with attachment issues from his time in Cape Town. 
The Blue Book
After a brief online look into what information was available on line for an Architectural Tourist, a flip through through Ora Jouberts Blue Book and a Friday bunny chow session with my former undergraduate lecturer Derek Van Heerdan I had mapped out a rough assortment of stops along the N2.

The focus of the trip began as a quite broad look into contemporary Architecture in developing settlements of South Africa – I had no specific question to answer, I felt the journey was more a search for a question rather than a search for an answer.

*
*NOTE: All images from Author unless indicated. *Note 1 IMAGE: adapted from http://www.gallerytours.net/images/1time-Map.gif
SOUTHERN KWA-ZULU NATAL/EASTERN CAPE

Shayamoya

The first stop was just outside Kokstad, Kwa-Zulu Natal in the small settlement of Shayamoya to visit  the 7 Fountains Primary School.

 
The primary school was designed by East Coast Architects  and commissioned by Oprah’s Angel Network as part of their community involvement in South Africa.
 


An East Coast Architect scheme would not be complete a Jojo Tank or an indigenous garden
 
The Nelson Mandela Heritage Trail

While searching for Architectural Tourist sites online, I came across several links to a Nelson Mandela Historical Route.

The articles described a network of famous sites related to Nelson Mandela’s life such as Qunu, the place of Mandela’s birth, Mveso, Mthata and highlighting points such as University of Fort Hare in Alice, where he was educated, and going further into Pretoria and Johannesburg as well as Cape Town. The route also mentions Steve Biko’s grave site in King Williams Town.
Many of these featured on the N2, with the closest stop being the Youth & Heritage Centre in Qunu. Designed by Stauch Vorster Architects.
At this point in the trip there were some technical issues with the camera, to illustrate the points I have added a one or two referenced images.
A vegetable garden at the center
IMAGE: Pg 392; 10 Years 100 Buildings, Joubert Et Al



The route included the Nelson Mandela Museum in Mthata, curated by Mashabane Rose Architects. This museum is located in the heart of Mtatha but seemed to only be frequented by European tourists.
IMAGE: http://www.southafrica.info/travel/cultural/mandela-route.htm
IMAGE:http://www.southafrica.info/travel/cultural/mandela-route.htm
IMAGE:http://www.southafrica.info/travel/cultural/mandela-route.htm
The next intended stop was the Mveso Museum Pavilion, designed by Cohen and Judin Architects but the bad condition of the road leading to the heritage site and quickly fading daylight forced us to move on.
IMAGE: Pg 389; 10 Years 100 Buildings, Joubert Et Al
IMAGE: Pg 388; 10 Years 100 Buildings, Joubert Et Al
PORT ELIZABETH

After a restless night on a University digs couch in Grahamstown and a in situ camera repair stint, we headed towards Port Elizabeth to visit the Red Location Museum of Struggle by by the Cape Town firm of Noero & Wolff Architects.
Memory Boxes, intended to symbolise the twilight of memory
The Museum sits in the heart of New Brighton

The Ubuntu Center

While in Red Location I we came across a recently completed building, the Ubuntu Center by South African born and now California based firm, Field Architecture .

SOMEWHERE ON THE N2…

I’ve come across this building many times before and every time I see it I feel this would make quite an interesting project to work on. Unfortunately I can’t remember exactly where it is but its somewhere between Knysna and Mossel Baai on the N2.

There appears to be a whole community that has settled around this former Industrial building. I didn’t get close enough to see the extent of their interaction with the structure itself , but a large tree is growing inside.

CAPE TOWN

Arriving in the mother city I found accommodation with a former classmate from the University of Kwa-Zulu Natal, who happened to have a spectacular view from his beautiful home in Blouberg. Courtesy of my host I had a breathtaking view from my ‘Cape Office’ while preparing for the year ahead.

Cape Office View. Average.
IMAGE: BY JOSHUA PUTZ
IMAGE: BY JOSHUA PUTZ

The Cape stop was a twofold affair. In one regard I had much administrative issues to resolve from my former life in the Mountain City, on the other hand I had met many people during my time with Architecture for Humanity who were involved in projects in Kayalitsha and other developing areas in the Cape that I felt would be of interest towards my pre-masters resarch.

Kirstenbosch Gardens

  
Between my administrative obligations I found time to visit Kirstenbosch for some mountain time and came across this very interesting exhibition building in the gardens.  Dylan Lewis‘s sculptures have always fascinated me and this building together with his work was well worth the surprise.

A planted wall wraps around the exhibition centre
The UNTAMED exhibition is a collaboration between sculptor  Dylan Lewis, Architect Enrico Daffonchio and Poet Ian Mcullum

Kayalitsha

I was fortunate enough to attend a trip in Kayalitsha planned by one such contact, Verena Grips, whose involvement with an NGO called MatchBox was of great interest towards my now narrowing focus on developing areas of South Africa.

MatchBox aims towards improving the quality of life and learning of children in townships. Verena had arranged a trip with another student who was looking into Township Tourism in South Africa.

The first stop in that trip was the Look Out Hill Visitor Information Centre, here we met a local tour guide  from Coffee Bean Routes tours.

Our tour guide took us through the centre, where we met some of local ladies who work with another group to produce hand bags to sell in market.

As the name implies the centre is overlooked by one of the higher points in Kayalitsha and offers a panoramic view of the settlement.



From here we visited the largest shopping mall in the area, the Nonqubela Link Mall , this mall sits adjacent to a train stop and between is serviced by a local market. What we found interesting was that an informal market could exist with a formal mall and still function.

The ‘formal’
The ‘informal’
View from the station platform

As part of the township tourism our guide had planned the next few stops at woman run local B&B’s. These ladies were running successfull lodging facilities and invited us in for a cup of tea and some interesting stories of foreign visitors, radio talks shows and how they share their skill base with others in the same business field.

Vicki’s Bed and Breakfast



Verena’s personal focus on creche’s and day care facilities that have been adapted from donated containers such as the Zanoxolo Educare Creche took us to some of these spots in Kayalitsha.


In true township tourism fashion we finished the day off with a visit to a local shebeen. While Mzoli’s in Gugelthu is probably the most well known of Cape Town’s township hotspots, it was Kayalitsha’s less known counterpart Ace’s that we chose as our lunchtime destination.


STELLENBOSCH

Transdiciplinary Workshop

The final stop in the trip was planned for Stellenbosch’s Lynedoche Village. Here, I was registered for a week long workshop seminar on Interdisciplinary Sustainability at the Sustainability Institute.

The workshop itself was intended for PHD candidates, but the organisers were happy to accommodate me at a pre-masters level.

The balcony of the institute became the place of dissemination of the course’s content

The workshop was attended by a diverse cross section of professionals who, like me, were interested in learning of cross-disciplinary approaches towards sustainability.

The disciplinary spectrum included; a physchologist, a graphic designer, microbiologist, nutritionists, industrial designer, IT economists, social scientists, geological and environmental scientist and even a hydrologist to name a few.

 

The course was run by two representatives from the Stockholm Resilience Centre and overseen by John Van Breda from the Sustainability Institute.

The week included definitions and discussions around Transdisciplinary Work with local and foreign case studies and exercises in defining roles and outcomes of the various parties in Transdisciplinary Work. 

Part of the exercises involved defining the research questions and role playing processes on ascertaining how to set up a research project around a Transdisciplinary team. This exercise proved to undo much of how I had planned on tackling my thesis topic and gave me a clear insight of where to go in my masters year.

While the exercises and explanations of what Transdisciplinary Work  appeared to be much in the scope of how Architects and other designers work through problems the center itself held an interest for me.

The Sustainability Institute

A render of the built structure as presented on the walls of the center on canvas

The building is located in the area of Lynedoch, adjacent the train station and according to the staff, the site was historical a weekend hotel for the upper echelon of Cape Society to ‘escape’ the city and enjoy a game of croquet in the Boland.

The center and the surrounding gardens
The existing hotel and new centre in contrast

The center now is a research hub for Sustainability in South Africa and is globally recognised as a leader in the field headed by Mark Swilling. For the detailed story of the Sustainability Institute click here.



Over meals provided on site by the institute gardens the informal meeting and sitting areas inside and outside proved to be the most interesting part of the week as this is where the real interdisciplinary discussion took place. 

The centre was designed by Cape Town’s ARC Architects and wraps around what appears to be a cement block barn structure on site that was adapted to become a community hall for the historically disadvantaged community of Lynedoche.


 The adapted barn houses a rock store in its basement that works as a thermal change mass to cool the class rooms of the primary school. The relationship between the primary school, the community came across as the strongest intangibly sustainable aspect of the entire centre. All day school children and local residents animate the and enrich the atmosphere of the institute facility.

Historic photo of construction and thermal rock store

The community hall uses a system of wind funnels and louvres to cool the space itself, while the thermal rock store serves the primary school facilities.

Wind scoops work with wind chimneys on the roof in a similar fashion to malqaf  found in Islamic Architecture


The converted barn is clad with adobe bricks that serve an undefined role, perhaps only ornamental?

The center interacts closely with this community and facilitates a primary school on site as well as subsided housing on the estate as well and harvesting programs in the area along with local farmers and residents.

The thermal rock store ventilation link to cool the primary school.

 



Day care facility with solar roof tiles

The estate boasts an array of off grid systems that deal with waste treatment, energy & food production. These systems as well a daycare facility on site aim to provide the local residents of Lyndoche with jobs while acting as a model for socially as well as environmentally responsible facility.

Vertically Integrated Constructed Wetland
The Biolytix System

A large portion of the job creation as well as the training for students comes from the garden systems on site. At the moment they grow there own vegetables on site

Recycling post and agriculture on site


An age old meeting venue, under the shade of an old tree

Indigenous tree plantation

The facility is housed by its own eco-estate. These houses work within the framework of the institute and provide research data as well as accommodation. They employ various techniques and processes to lower their respective carbon footprints.

Part of the eco estate with the black water collection pionts
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When asked in December what would be an appropriate focus for a thesis topic, it seemed to continue in Slovo Park was the obvious option: strong connections with the community had been made, the context was mapped and an insight into the needs and dreams of the people had been established.

Slovo Park Group Framework (Bennett, Casson, Fillipe, Hattingh, Makgabutlane)
The first draft of the proposal I outlined the development and research of the spruit area between the two communities and an architectural investigation into how that could be done through a built intervention possibly exploring urban agriculture.
*
My time cross-country gave me space to reflect on my time in Slovo Park and Pretoria,bringing a more clear understanding of my role as an architect and designer in developing South Africa
The workshop at the Sustainability Institute provided me with a sharper focus on my thesis year and liberated me from my pre-conceptions of the role of architects in social upliftment and research and a result forced my decision not to work in Slovo Park in 2011.
The trip left me with more questions than answers, a disposition that I’m starting to feel is likely to be more commonplace in my year ahead while in pursuit of my Masters Degree.
2010 END.